Excellent joke. No notes.

As another longtime Vi user - I had a hell of a time & wound up switching back lol

I think for a lot of folks Helix would be intuitive. Vi has her hooks in me, though.

Oh. I know. But you don’t understand - I’m compelled to type it out. I must.

clear. Constantly, and for no reason.

Thank you for the write-up!!

Notes while I’m watching:

1. The “vibe” is different - in my head I translated this to “he likes the GUI more”
2. Minetest has zero “story” / progression (so no Ender Dragon to gear up for & fight) - it’s purely a sandbox experience.
3. better performance, apparently runs on potato laptops pretty well
4. Mods are built-in, and don’t require tools like Forge or whatever to tweak a jar file ⬅️ THIS is cool!
5. Customization via the Settings menu

The “built-in support for mods” caught my eye. That’s pretty slick, and a headache with MC.

tl;dr - it runs on just about everything, and focuses on giving the player an easy-to-mod “sandbox” to play in.

I don’t get NixOS

It’s not for everyone. The idea is to have your entire system reproducible with a few configuration files, which you’d then ideally store in a VCS like git.

I haven’t messed with it, but there is something appealing about the ability to reboot to an older snapshot of the system if an update breaks something, or being able to use a config file to restore your system to the exact OS version and exact versions of whatever apps you use.

Yes indeed

🎶 I am gonna make it through this year if it kills me 🎵

Which other Sim games are you eyeballing? I’ve been craving a good non-EA Sims game.

The marketing spin calling LLMs “Artificial Intelligence” doesn’t help.

… the aqueduct?

Awesome. Thanks!

The hot swap Pi mount thingy is cool as hell. What’s that called? I’d like to empty my wallet for one.

I listened to the first 4 tracks, and skipped around the rest to get an idea of the content. Lots of good stuff!

• Great job mimicking the tone of Hades’ music. It has a fantastic OST. Korb also wrote Bastion’s OST, which is worth a listen, too.

• In your soundtrack, I think there needs to be more balance between the “wall of sound” harmonies vs. lyrical melodies. IMO, the best game soundtracks are the ones you come away from humming a theme, and I struggled to find one here.

I think “Through Asphodel” is a good example - melody kicks in about 2 minutes in. From what I heard (which wasn’t everything, admittedly), you have the background metal sound figured out, but I think you’re missing that soaring melody in some of these.

Just my two cents!

“I think the argument to make is that The Crew was sold under a perpetual license, not a subscription, so we were being sold a good, not a service,” Ross says in his latest video. “Then the seller rendered the game unusable and deprived it of all value after the point of sale. It’s possible that argument won’t hold up either, in which case I think there’s no possible way to stop this practice, at least in the United States. But to the best of my knowledge, this angle has never been tested in court and might actually have some teeth."

It’s a good point. Interested to see how this unfolds.

First, it robs the creator of their income

… you mean the creators that are currently striking because massive companies Disney, Netflix, and Co don’t want to pay them a living wage?