Speaking as someone with no social media (big grain of salt), whenever I’ve heard reporting on people seeing the genocide on their phones it was always referencing tiktok. They never said “people watched children be exploded on twitter or Insta”. That could be due to user preference or whatever, but as an outsider, I have the ambient notion that more of this kind of content was coming from tiktok.

More concretely, in a lot of the stuff that came out of the twitter files, it’s clear that the US government does have, what I would classify as, inappropriate contact with american social media companies that can controle narratives. Without saying something with absolute certainty, the statement he’s making sounds pretty reasonable.

Also nothing is just one thing, there’s probably a ton going on.

Takin’ it back! ❤️

Here is a wiki source (insert error bars here) discussion of his stance on his work being officially licensed. He thought that use of his work outside of a comic strip would cheapen the value of the strip itself. This was frusterating as a child (who wouldn’t want a fucking Hobbes plushy) but now later I can see that it was at the very least a very defensible choice. Compare how people feel about C&H vs something that was commercialized to death like Garfield. Anyway, hope it’s useful.

Just looked it up, looks like it’s still Amazon. Could be missing something though.

Always an upvote for Doom OST

Is that Alan Tudyk?